Instagram



Booking.com

Skogar, Iceland, and what to see there

When my husband, Albert, and I stopped at Skogar, Iceland, we only intended to see one thing: Skogafoss waterfall.

Disclosure: This article contains affiliate links. If you book accommodations through one of them, I will receive a small commission. This will not affect your price.

Skogafoss waterfall

This is one of the most popular waterfalls in Iceland; it’s pretty and easy to get to, right on the main ring road (route 1) around Iceland.

Skogafoss waterfall in Skogar Iceland. It is a straight curtain of water falling between green, grass-covered hills.
Skogafoss waterfall.

Skogafoss waterfall is wide (15-25 meters) and long (about 60 meters), visible from the ring road. It has a simple, straightforward elegance. With the quantity of water involved, it throws up a lot of spray.

To its right is a long stairway up the hill, allowing visitors to walk up to view the waterfall from above. You can see the platform in the top right of the photo above. We enjoyed that view, but the more impressive view is from the waterfall’s foot.

The waterfall plunges down from the top right of the photo toward the bottom left. The water mists outward as well as falling downward. The ground on either side of it is green with low growth.
Skogafoss waterfall as seen from above.

If you’re curious about our experience traveling to Iceland during the pandemic, you can read about it here.

Skogar Museum

Albert and I have peculiarities that occasionally drive each other crazy when we travel. I get exasperated by his birdwatching. He even watches as he’s driving, which terrifies me. When we stop and he’s busy peering through his binoculars at the birds, I just get bored.

To be fair, this has gotten better. Now that I’m trying to improve my photography, I spend his birdwatching time trying to capture sharp pictures of the birds. Mostly, I fail, but at least it gives me something to do.

A bird stands on one leg on top of a fencepost. The bird has a very long thin beak, turned toward the left. Its belly is white and its upper body and head are brown.
Still not where I’d like to be with my bird photography, but I’m getting there. I took this not far from Skogar.

What exasperates him is my enjoyment of obscure local museums. These are very often full of all sorts of stuff that could easily be termed “junk.” I think that often the items are collections by local people. When they pass away, their heirs don’t know what to do with Uncle Abe’s rock collection or Auntie May’s antique butter churns. What to do? Donate it to the local museum!

But I enjoy these museums. I never take long in them, just skimming the displays. I like the serendipity of moving from a collection of toy cars to a batch of taxidermied animals to some local handicraft collection and so on. And I learn a little bit about what that place values.

Anyway, this is all a roundabout way of saying that I also wanted to see the Skogar Museum. Albert agreed, rather reluctantly.

In this case, even Albert was glad we did.

Pinnable image:
Text: Skogar Iceland and what to see there
Image: direct front view of a smalll church: white with a red door and a cross on the peak of the roof.

Skogar Museum has three parts: a folk museum, an open-air museum, and a technology museum.

Skogar folk museum

The folk part of Skogar Museum, in the main building, was everything I describe above. It had, for example, a collection of bedboards. Traditional beds were small and shared. Bedboards were used to keep the occupants from falling out. During the day, the beds were used for sitting, so the bedboards could be removed and placed elsewhere. They’re often decoratively carved, which makes them worth preserving as pieces of history.

Four bedboards in this photo. Each is more or less rectangualr, but somewhat irregular at the ends. Each has intricate carvings with small primitive images and also lettering.
A small selection from the bedboard collection.

There was an agricultural implements section, sailboats, information on fishing and fishing equipment, a collection of shells, another of bird skeletons, a taxidermy exhibit, a huge collection of insects, wood carvings, traditional clothing…. You get the idea.

A wall has two big chests against it with a range of items on them. On the wall lots of varied implements are hanging: things like scythes and shears and shovels.
A small fraction of a very large agricultural implements collection at Skogar Museum.

The most interesting single piece in this part of the museum, I think, was related to Skogafoss waterfall. We had read the story of Þrasi Þórolfsson on a sign at the waterfall. The story goes that he was the first settler at Skogar around 900 AD. He placed a chest of gold behind the waterfall in a way that allowed it to be visible but hard to reach. People tried to pull the chest out from the falls, including a time when someone tied a rope to a ring on the chest to pull it out. Unfortunately, the chest stayed put, but the ring tore off.

The ring was used on the front door of the local church until 1890. It’s now in the Skogar Museum. Supposedly the chest of gold is still there somewhere behind Skogafoss.

The ring looks like it might be bronze, with a pattern of embossed flowers closely imprinted around the top surface. At four points there is a round knob, also embossed with a cluster of the same tiny flower pattern. Skogar Museum, Skogar Iceland
Þrasi’s ring, Skogar, Iceland.

Almost everything in the museum has a clear label, by the way, explaining what it is and giving information about its use or origin. Some items have English translations of their labels, but, rather randomly, some have German or French instead.

While you’re in south Iceland, make sure to go to Heimaey island, off the south coast. You can read about it here: Things to do in Heimaey island, Vestmannaeyjar, Iceland. And if you are going to be in north Iceland, you might want to consider going whale-watching in Husavik.

Skogar open-air museum

The open-air part of Skogar Museum is small, consisting of only a few structures. Nevertheless, it’s worth some time.

First we came to a row of turf houses, or at least it looks like more than one house on the outside. Actually it was a single farmhouse. Inside is a warren of rooms: one for livestock, a pantry, a storeroom, a parlor, a kitchen and a communal room called a baðstofa.

The turf house has three peaks and three brown wood fronts with white-edged windows, making it look like three houses. The left-hand one has three windows: two downstairs and one above in its center. The middle one just has one window in the center, and the right-hand one just has a door in the center. All are covereed with grass with thick turf walls between them. The grass of the roofs blends with the grass of the big hill right behind them. Skogar, Iceland.
The turf house at Skogar, Iceland.

Beds line the sides of the baðstofa, each about the size of a single bed. Commonly, two or more people would sleep in each; with no heating, sharing body heat was important. This was where bedboards came in handy.

The ceiling leans inward under the roof. It is made of wood. The two beds, end-to-end, also wood, are built into the wall and attached to each other. Each has a bedboard along the outside edge with a simple carving of lettering on it. Each has bedding that looks thin and bumpy with a cloth or sheets on top.
One side of the baðstofa inside the turf house. On the opposite wall are two more beds the same size, and there’s a crib and a closet as well. Notice the carved bedboard.

The fully-furnished rooms give a really clear picture of how hard this life must have been.

The wooden furniture, by the way, was mostly made from driftwood, since so little wood grew in Iceland.

(An interesting Iceland fact. When the Vikings arrived, there were forests, mostly beech trees. Most of these got cut down in the ensuing centuries, used for fuel and building materials. That’s why driftwood and, later, imported wood, became important.)

Direct front view of the Skogar Museum's church in Skogar Iceland. It is a wooden building painted white. The roof is peaked and there is a smaller roof over the entrance, also peaked at the same angle as the roof. The front door is red and there is a small cross above it as well as a larger cross on the roof.
The church at Skogar Museum.

Our next stop was a charming little church. The exterior is new, but all of the inside is original, taken from a church in a nearby town dating to 1879. Some parts are older, like the bells (1600 and 1742) and the altarpiece (1768) and other furnishings.

Looking down the aisle, pews on either side, painted reddish pink, only about five rows on either side of the aisle. The  altar, straight ahead, has a painting above it and a bronze chandelier above it. Two more paintings are on either side of the altar and a statue of Jesus (?) is on the left-hand wall. The pulpit is before the altar on the right: wood but with a marbled inset on each of 4 or five visible sides. The walls are light green and the ceiling is a bright blue.
The interior of the Skogar Museum’s church.

Nearby is a one-room schoolhouse, moved here from Dyrholar, built in 1901. It always amazes me how universal schoolrooms were (and still are). This looks just like schoolrooms I’ve seen in many other parts of the world. Apparently it was in use until 1968 and was moved here later.

Only two wooden desks with benches fixed to them. Each would sit perhaps three children. The teachers desk is beyond them and set on a small platform. On the wall to the side is a piano and what may be an organ. A world map hangs on the wall.
The classroom in Skogar Museum’s schoolhouse.

Next we saw another farmhouse dating to 1919. This one is less purely a turf house: the roofs are more modern, but the side walls are still turf. The tradition in this region was to keep the livestock on the ground floor and to live upstairs, so the ground-floor rooms have low ceilings, rough stone floors, and exposed turf walls. Upstairs, though, is designed for humans.

The walls of the small room are blue-painted wood. In the middle is a round wooden table with four chairs around it. A large cupboard is against the right-hand wall: it looks to be a 20th century style, perhaps 20s or 30s. An older chest is agains the far wall, and the left-hand wall has a window. A small table in the corner holds a lamp with a red lampshade. On the far wall a painting hangs above the chest with two more on either side (embroidery, possibly). A white glass lamp hangs above the center of the table, which is set with teacups.
The second farmhouse’s front room.

These were not poor people, judging by the level of comfort in their parlor and the relatively modern tools in their kitchen. Like the fully-turf house, this one has a baðstofa upstairs. People lived in this house until 1970.

The house on the right has one brown front and two white fronts and all three parts of the house are two-story, with a door and a window on the ground floor and one window on the upper floor. Each roof is peaked. Only the left-hand part has grass growing on the roof; the other two have red roofs. Between the houses are thick walls of turf. The house on the left is brown wood with a door in the middle, 3 windows on the left and four on the right. One small window on the roof, which is red.
The house that is partially turf on the right and a wooden house on the left at Skogar open-air museum.

The last structure in the open-air section of the museum is another house, moved here from another town (See the picture above: the house on the left.). Dating to 1878, this one is wooden, and I was surprised to read that it was made entirely from driftwood. People lived in it until 1974, and it was clearly a more upper-income family, judging by the quality of the furnishings and the amount of space.

The rooms is mostly filled with a rectangular wooden table and the four chairs around it. A white glass lamp hangs above it. Beyond is a sofa against the far wall. Above the sofa is what looks to be a decorative rug with embroidery on either side of it.
The front room of the wooden house at Skogar Museum in Iceland.

Skogar transport and communication museum

The third part of the museum is in a much bigger, warehouse-type building. It is crammed with all sorts of objects much like the folk museum, but larger scale. Many cars and other vehicles are on display, from a Model T Ford to some of the earliest work machines: half-track vehicles, snowmobiles, road construction equipment. While I’ve seen car collections before, I’ve never seen the forerunners of things like bulldozers, steam shovels and snowplows.

This looks like a normal 1930s car, with a big square body and the engine sticking out in front. However, instead of back wheels it has treads like a tank. Instead of front wheels, it has just the axle, attached to what look like wide, short skis.
A Citroen half-track from 1930.

It has all sorts of other collections too. We saw a series of historical telephones and various radio and mobile phone equipment. Jeeps, trucks, fire engines: you name it; this collection has it. The big bright space is pleasant and, on the day we visited, a jazz performance was going on in the museum café, lending a musical background to our wanderings.

the nearest vehicle in the photo looks like it's an early steamroller. Behond that is an early bulldozer and other vehicles that are hard to identify.
There were many more vintage vehicles, but these were a sort I’d never seen in a collection before.

Here are some other small-town museums that I’ve written about:

Kvernufoss waterfall

After exploring the museum, we went in search of a “hidden” waterfall we had heard about from another traveler. We asked at the museum reception and received simple instructions: walk past the technology part of the museum and you’ll see a sign. Follow the path, climb the turnstile, and keep walking.

Tall (perhaps 30-40 meters) and narrow, falling picturesquely into a canyon, Kvernufoss waterfall is lovely. We were happy to see that we had it almost to ourselves. One other family arrived after us, but that was it.

Seen from a distance, the waterfall is in the center of the picture, quite narrow, falling down a cliff. The cliffs extend to the left and right on either side of a meandering stream, which exits the photo bottom right. A small footpath shows as a line of dirt through the grass that covers the floor of the valley between the cliffs.
On the path approaching Kvernufoss waterfall in Skogar, Iceland.

It was a relaxed way to end our day: a stroll along the path through the green valley, then sitting and admiring the beauty of this waterfall. Albert continued along the path and was able to get almost right behind the falling water and see it from behind. Even though it is a smaller waterfall, I liked Kvernufoss better than Skagafoss.

Our quick stop in Skogar to see a waterfall and have a peek at a folk museum turned into several hours in total, and definitely worth the time.

Where to stay in Skogar, Iceland

We stayed at Mountain Queen Angelica, about three kilometers away from Skogar, booked through Airbnb. We had a very comfortable room with a pretty view, and the whole place was homey and welcoming and friendly. Definitely recommended.

If you’re looking for a place to stay in Skogar itself, there are a couple of hotels right in the village, and others within a short distance, You can see other local listings on Airbnb here. If you’ve never used Airbnb before, you can use this link to get a discount.

A wide grass-covered mountain. In front of it, several buildings. The one on the left is white and has a lot of windows and is probably a barn. The middle one looks like a suburban house: gray with a blue roof. The right-hand one is only partly visible due to curvature of the land in front of it. It is a long low building with a white roof. All of the buildings look small in front of the mountain.
Mountain Queen Angelica is the blue-roofed house in the center of the picture.

Skogar Museum: Skogasafn 1 in Skogar, Iceland, just off the ring road (route 1). This is 30 kilometers west of Vík and 150 kilometers east of Reykjavik. Open daily. June-August 10:00-18:00, September-November and February-May: 10:00 – 17:00 (except Saturdays and Sundays in November and February, when it closes at 16:00), December and January: 10:00 – 16:00. Admission: Adults 2000 ISK ($14.50/€12.30), Children 12-17 1200 ISK ($8.70/€7.40). Website.

Pinnable image
Text: What to see in Skogar Iceland (and the Rachel's Ruminations logo)
Image: Skogafoss waterfall

9 Comments

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.