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The KGB Museum in Riga, Latvia

You could easily miss the KGB Museum in Riga if you didn’t know where to look. Commonly referred to as “the Corner House,” it looks on the outside like a quite stylish residential building. I walked right by it and had to retrace my steps a block or two away.

The building is quite elegant: painted grey with white trim, about 6 stories high. On the corner is a tower of sorts, so all of the apartments above the ground floor had a rounded room with arched windows. ON the side facing the main street each floor has a balcony with a decorative railing, and pillars. The one on the top floor has a row of arches held up by pillars. The entrance to the museum is on the corner in what used to be a storefrunt.
The KGB Museum, Riga, a.k.a. “The Corner House”

Basically what the KGB did in this building was imprison people for months, interrogating and torturing them, then either executing them on the spot or sending them to labor camps in Siberia.

The entrance to the KGB Museum in Riga

This building became known as “the Corner House” because of the entrance on the corner, which was the only entrance the general public was supposed to use. Walking in, I felt jarred by the contrast with the pleasant exterior: the door is, essentially, a cage, presumably to be able to bar people from outside coming in, but perhaps also to stop people leaving once they’d entered.

The caged door of the museum. It's about the size and shape of a telephone booth, but barred on the two near sides, with the doors to the street on the other side. It's a sickly yellow color.
The entrance to the KGB Museum in Riga, as seen from the inside

Otherwise, though, the first room looks much like any down-at-the-heels government office. A few dilapidated chairs on the right, a counter for the reception on the left.

This room also holds a mailbox, which people would drop notes into during the Soviet period to ask about their imprisoned or missing relatives, to make requests and – much more sinister – to report people who were “disloyal” to the Soviets.

This article, A Riga City Tour: 10+ things to see in Riga, might be useful if you’re planning a trip there. And also this one: Two Latvian food tours.

The KGB Museum exhibition

The exhibition “History of the KGB Operations in Latvia” on the ground floor tells about the building’s history and the Cheka/KGB’s activities in this building between 1940 and 1991, with an emphasis on the work of the resistance movement. Most of it is in the form of large panels with text and photographs.

A large room, the floor in neat tile squares. Along the left, where the windows are, stand a series of 5 large sign, perpendicular to the left wall. Each is printed with some of the history with a photo at the top. The history is written three times: in Latvian, in English and in Russian.
The exhibition “History of the KGB Operations in Latvia” in what would have once been shops on the ground floor

While I learned a lot of background from this, it was fairly dry, and didn’t give me a clear idea of just how much cruelty was a part of this building. I got an inkling from the films that ran continuously in a neighboring room. In these, ex-prisoners told about their own experiences here.

It was the tour that helped me better visualize what happened here. I’ll describe that below, but first, here’s the general history of the building, and of Latvia along with it:

History of the “Corner House”

Built in 1912, the “Corner House” held shops on the ground floor and apartments above, like most buildings in the neighborhood.

The Corner House 1919-1944

That didn’t last, though, because of the Latvian War of Independence in 1918-1920, which was, to oversimplify a bit, a struggle between the newly-declared independent Republic of Latvia and the newly-formed Soviet Union, with involvement by the other Baltic states as well as Germany. The Latvian Revolutionary War Committee used the building briefly in 1919.

Pinnable image with text reading: The KGB Museum in Riga, Latvia, with a photo of the cage around the front door.

The building changed hands a number of times after that, reflecting the turbulent 20th century history of Latvia:

1920: The new government of independent Latvia took over the building for government use, including the Ministry of the Interior and other offices.

1940-41: In 1940, the Soviet Union forcibly annexed Latvia. The Cheka (secret police, forerunner of the KGB) took over the building. This only lasted a year because, in 1941, the Nazi army invaded and took over Latvia, treating it as a conquered part of the Soviet Union.

1941-44: For most of World War II a youth group called “National Watch” occupied the building as well as Latvia’s puppet government, appointed by the Nazis. The Nazis deported and/or executed thousands of people: Jews, Roma and resistance fighters. This lasted until 1944, when the Soviet Red Army took over once again.

The KGB Headquarters

1944-91: This is the period that the KGB Museum mostly addresses.

A briefcase with three neat rows of index cards. The section dividers are each labeled in Russian.
A file of prisoner information from the post-war Soviet period. Why do oppressive governments always keep such careful records?

The Cheka got the building back in 1944, using it as their headquarters. The Soviets busied themselves with mass deportations of Latvians to Siberia, particularly members of the pre-war independent Latvian government and anyone arguing for a return to independence. Many were first imprisoned here.

The name of the secret police changed several times, becoming the KGB later in this period.

The Corner House after independence

1991: Latvia regained its independence from the Soviet Union.

1992-2007: The Latvian State Police used the building in this period, presumably including the prison cells and interrogation rooms, but without the torture or executions.

The building has been empty since then. The exhibition on the ground floor was installed in 2014, but the rest of the building is unoccupied.

Today, the ground floor and basement make up the KGB Museum, part of the Museum of the Occupation of Latvia 1940-1991. The rest of the museum is at a different location.

The KGB Museum tour

While I already “knew” the truly evil things that happened in this building, I didn’t really understand them until I took the tour. And again, just like when I first entered the building, the contrasts struck me most, at first: a lovely entrance hall was our first stop, reminding us that this was an elegant building once upon a time..

The hanging lamp has pretty tulip-shaped arms, each with a bulb, but not lit. The ceiling is the kind that is paneled in inset squares, each with a double gold-painted molding around it and a pretty round centerpiece, painted gold. The ceiling also curves gently.
The still-elegant ceiling of “The Corner House” corridor on the ground floor.

But then, down the hall, we saw the elevator. It is divided in half so that a prison guard could lock a prisoner into the back of the lift while he stood on the side next to the elevator door. And the hallway beyond the elevator was … well, the best word for it is “grim.”

Maybe it was my imagination, but even at the beginning of the tour I felt like the place was full of ghosts.

Prison life

This hallway on the ground floor is where some prisoners were held in their cells, along with more cells in the basement. Our tour guide pointed out the horizontal bars along the walls of the corridor, installed so that any prison guard who felt threatened could just push on the bar to set off an alarm. Each door has a small hinged cut-out, so prison guards could look in without opening the heavy door.

Looking down a hallway, in the middle distance is a door, open, with a heavy lock and bars above it to the ceiling. Beyond that are more open doors on the right with heavy locks. The paint has worn off the floor except on the edges. Along the right-hand wall of the hallyway is a horizontal bar.
The hallway to the prison cells on the ground floor.

The cells themselves were always overcrowded and kept boiling hot all year. The lights stayed on night and day and the small windows, if there were any at all, were covered so prisoners could not see out. The beds were metal without mattresses and the toilet was nothing but a bucket in the corner.

A bare bed on the left, without a mattress and with barred head and food boards. It looks like someone spilled plaster or something onto the bed. The wall beyond has peeling, rusty-looking greenish paint. The window is covered with some kind of mesh. The floor is bare boards.
one of the smaller prison cells

We were allowed to look into and enter several cells in the basement, and just a moment in a cell was enough for me. The grimness of the place . . . and then, as the guide spoke about life in the cells, I could imagine the smell of sweat and fear and damp and that bucket in the corner, and I could picture how easy it would be to lose the will to live, spending months in such conditions.

After viewing the cells, we arrived at a kitchen in the basement. Apparently the kitchen staff were prisoners brought in from another jail. They got the ingredients through the window wells: like dropping it down a hole. The food was then cooked without washing, and generally consisted of bread and thin soup, often made from rotten ingredients.

Photo taken from floor level. The stove is built into the wall, a large, two-level box, covered with dark brown tiles on the sides, and with two hatches in the side for inserting wood into the fire. The wall behind it is yellow. In the photo on the wall, there are two modern white stoves, the kind with gas burners probably, and white sides.
This old wood-burning stove has depressions on the top to cook in. Later, as can be seen in the photo posted on the wall, modern ovens were installed.

For “exercise,” the inmates could go outside in a very small yard for about a half-hour a day with the other prisoners from their own cell. The yard is a narrow space between buildings, roofed over with bars and fencing, making it, in essence, a cage with a bit of natural sunlight reaching through the bars, if they were lucky. A walkway above allowed an armed guard to keep an eye on the prisoners to make sure they didn’t speak.

This view looks slightly upwards: the roof cage is broad bars, quite far apart, with chain link fencing on top of that. Two concrete or brick walls can be seen in this picture, and looking through the roof bars a vertical row of windows up the building.
The exercise yard. I took this photo from almost the end wall. An even smaller extension of the space is through the door.


We also saw an interrogation room, although most of the interrogation rooms are on upper floors, where this tour doesn’t go. It looked, I suppose, like any interrogation room would look: stark and bare, with a table in the center and a chair on either side of it. There is no chair for a lawyer, though; these prisoners had no rights. Beatings and torture over weeks and months were a standard part of their interrogation.

Photo taken from ground level, looking upwards. Two walls of the room are visible, covered with ugly wallpaper in a zigzag design in shades of gray. A wooden table stands in the middle with a straight chair on either side.
an interrogation room


Passing through the courtyard of the building, we entered the garage, where the executions happened. Hundreds of people, over the course of the KGB headquarters’ existence, stood in front of this wall and waited for the bullets. The blood is gone, and the wall was covered over after independence, then stripped back for the museum, but yellow spots mark the remaining bullet holes.

The wall has visible layers. About a third of it is horizontal wooden boards on the left. The middle half is brick in front of the wooden layer, so the brick wall ends with an uneven vertical cut. In front of the brick is another layer - wood or drywall or something, that has peeling, light green wallpaper on it. On the right is a small section of more wood, this time on top of the brick rather than behind it. Here the wood boards are vertical. All over both wood layers are little yellow and some red dots.
the place of execution

The tour group I joined to see the museum got quieter and quieter as we moved from room to room on this tour, and the idea that we were standing where so many had been killed in cold blood silenced us entirely.

Going to the KGB Museum in Riga, I expected something like the Stasi Museum in Berlin: a place where evil is couched in bureaucracy and technology and ordinariness. This was far more visceral: visiting a place where such violence and stifling of the spirit occurred.

Pinnable image reading "Riga The KGB Museum Latvia" with a photo of a cell with a single bed.

Visiting the KGB Museum, Riga

The KGB Museum tells a fascinating yet terrible story that’s worth remembering. If you visit, don’t settle for just the exhibition; the tour is where you’ll get a real sense of the place.

If you’d rather not arrange things yourself, this walking tour, Behind the Iron Curtain, covers several sights from the Soviet period.

The KGB Museum: Brīvības iela 61, Riga. Open daily 10:30-17:30. Admission to the exhibition is based on a voluntary donation. Guided tours in English: daily at 11:00, 12:00, 13:00, 15:00 and 16:00. The tour costs €10.

The exhibition is relatively accessible, though wheelchairs would have to be rather narrow. The tour, however, is mostly in the basement, down a set of stairs.

If you’re interested in the rest of the Museum of the Occupation of Latvia, its address is Raiņa bulvāris 7, Riga. The permanent exhibition is open daily 11:00-18:00. Admission: a voluntary donation. Guided tours in English: daily at 14:00 and 16:00. Tours cost €3/$3.30.

Have you ever done this kind of dark tourism? Where? Leave a comment below, and make sure to share this post!


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about Rachel

Hi, I’m Rachel!

Rachel’s Ruminations is a travel blog focused on independent travel with an emphasis on cultural and historical sites/sights. I also occasionally write about life as an expatriate. I hope you enjoy what I post here; feel free to leave comments!  Read more…
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This is such a moving post – there is such a contrast between the gorgeous ceiling and how grim the floors and walls of the cells are.